After studying Art History and German Literature in Zurich and Berlin, Serge Honegger worked as a dramaturge on numerous opera, dance and ballet productions, interdisciplinary projects, and initiatives in the field of visual arts. He has been engaged by institutions including the Zurich Opera House, the Berlin State Opera, the Festspielhaus Baden-Baden, the Hessian State Theatre Wiesbaden, the Theater St. Gallen, the Schauspielhaus Zürich, and the Watermill Center. Most recently, from 2020 to 2024, he served as a dramaturge at the Bavarian State Opera, where he was responsible for productions of the Bavarian State Ballet. In 2024, he was appointed Head of the Cultural Affairs Office of the Canton of Schaffhausen. From summer 2027, he will be working as the managing and artistic director at the Theater Casino Zug. 

Since 2004, he has created and led productions as a dramaturge and artistic director in the field of music theatre, including dance productions, operas, oratorios, performances, and staged concerts. A particular focus of his work lies in interdisciplinary and participatory approaches to theatre-making. Productions under his artistic direction have been presented at the Zurich Theatre Spectacle (REQUIEMreloaded), the Hessian State Theatre Wiesbaden (Winterreise), and the Theater St. Gallen (Das Herz bebt im Stillen).

Among his recent cultural projects are the literary soundscape Street Ballads, realised in several museums across Switzerland, Bulgaria, and Italy, and the dance and film project Sakuntala’s Ring at the Bavarian State Opera. As a guest dramaturge, he collaborates with the renowned Suzanne Dellal Centre for Dance and Theatre in Tel Aviv, where he mentors emerging choreographers through the 1|2|3 programme. He also teaches dramaturgy, aesthetics, and theatre and dance history at the Bavarian Theatre Academy August Everding as a lecturer.

Until 2004, Serge Honegger worked as an assistant director at the Zurich Opera House, where he was involved, among other productions, in Robert Wilson’s staging of the Ring cycle. As a dramaturge, he collaborated on Heinz Spoerli’s production of Jean-Philippe Rameau’s Les Indes galantes with the Zurich Ballet. This was followed by work on Cinderella with Vladimir Malakhov at the Berlin State Opera.

In 2010, as dramaturge and assistant director to Rebecca Horn, he realised a production of Elektra for the International May Festival Wiesbaden at the Hessian State Theatre Wiesbaden. Until 2015, he served as Head Dramaturge at Theater St. Gallen, overseeing its music theatre productions, before moving to the University of St. Gallen. There he completed a doctorate within the “Organisation and Culture” programme, focusing on artistic modalities of leadership in the postmodern era. His dissertation, Steering and Diversion (Lenkung und Ablenkung), was published by Schwabe Verlag.

Among the dance and theatre artists with whom Serge Honegger has collaborated are Franziska Angerer, Özkan Ayik, Stefania Ballone, Martina Borsche, Bodo Busse, Liliana Cavani, Angela Dauber, David Dawson, Annette De Pover, Serge Dorny, Charlotte Edmonds, Jürgen Flimm, Marco Goecke, Yossi Berg and Oded Graf, Claus Guth, Daniel Hay-Gordon, Gudrun Hartmann, Peter Heilker, Jens-Daniel Herzog, Edouard Hue, Alexandra Jud, Linda Kapetanea and Jozef Frucek, Laurent Hilaire, Andrey Kaydanovskiy, Konstantin Keykhel, Marcel Leemann, Sol León and Paul Lightfoot, Jonathan Lunn, Vladimir Malakhov, Yuki Mori, Marion Motin, Aglaja Nicolet, Madame Nielsen, Nicolas Paul, Naomi Perlov, Filipe Portugal, Angelin Preljocaj, Alexei Ratmansky, Jordi Roig, Marco Santi, Liam Scarlett, Johannes Schmid, Anoosha Shastry, Heinz Spoerli, Andrew Skeels, Stephan Thoss, Alexandra van Gastel-Jud, Beate Vollack, Barbara Weber, Robert Wilson, and Igor Zelensky.

Serge Honegger
sh @ sergehonegger.com
 

Imprint

Contents: Serge Honegger
Design: Ricco Pachera
Programming: Roman Abt, taywa GmbH
 

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